Все книги издательства «Oxford University Press»
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Adeline Mowbray
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Oxford University Press
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Автор: Opie Amelia
Издательство: Oxford University Press, 1999
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PDF, 330 страниц, 9.90 МБ
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How strange and irrational, thought Adeline, are the prejudices of society! Because an idle ceremony has not been muttered over me at the altar, I am liable to be thought a woman of vicious inclinations, and to be exposed to the most daring insults. Encouraged by her mother to pursue an interest in radical social ideas, Adeline Mowbray innocently puts her theories of idealized love into practice. Her attempt to live with the philosopher Frederic Glenmurray outside marriage is condemned by both her mother and society. Adeline and Glenmurray's relationship becomes the focal point for Opie's satire on society's attitudes to education, women, marriage, masculine and feminine codes of honour, filial loyalty and the struggle to justify individual choice. Personal as well as political, Adeline Mowbray (1804) is loosely based on the relationship between Opie's friends, Mary Wollstonecraft and William Godwin. Written in a period of conservative reaction in Britain and recalling the earlier radical era of the 1790s the novel offers a gripping exploration of the world as it is and the world as it ought to be.
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1190
 admin
14 марта 2009
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Sir Gawain and the Green Knight
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Oxford University Press
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Издательство: Oxford University Press, 1999
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PDF, 160 страниц, 4.80 МБ
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The finest translation in and for our time (Kevin Crossley-Holland) Sir Gawain and The Green Knight, with its intricate plot of enchantment and betrayal is probably the most skilfully told story in the whole of the English Arthurian cycle. Originating from the north-west midlands of England, it is based on two separate and very ancient Celtic motifs of the Beheading and the Exchange of Winnings, brought together by the anonymous 14th century poet. His telling comprehends a great variety of moods and modes — from the stark realism of the hunt-scenes to the delicious and dangerous bedroom encounters between Lady Bercilak and Gawain, from moments of pure lyric beauty when he evokes the English countryside in all its seasons, to authorial asides that are full of irony and puckish humour. This new verse translation uses a modern alliterative pattern which subtly echoes the music of the original at the same time as it strives for fidelity.
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577
admin
25 мая 2009
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Three Major Plays
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Oxford University Press
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Автор: Lope De Vega
Издательство: Oxford University Press, 1999
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DjVu, 352 страницы, 14.08 МБ
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Lope de Vega (1562-1635), widely regarded as the architect of the drama of the Spanish Golden Age, was known by his contemporaries as the 'monster of Nature' on account of his creativity as a playwright. Claiming to have written more than a thousand plays, he created plots and characters notable for their energy, inventiveness and dramatic power, and which, in contrast to French classical drama, combine the serious and the comic in their desire to imitate life. Fuente Ovejuna, based on Spanish history, and revealing how tyranny leads to rebelliion, is perhaps his best-known play. The Knight from Olmedo is a moving dramatization of impetuous and youthful passion which ends in death. Punishment without Revenge, Lope's most powerful tragedy, centres on the illicit relationship of a young wife with her stepson and the revenge of a dishonoured husband. These three plays, grouped here in translations which are faithful to the original Spanish, vivid and intended for performance, embody the very best of Lope's dramatic art.
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1269
anarho
22 апреля 2009
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Early Modern Women's Writing
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Oxford University Press
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Издательство: Oxford University Press, 2000
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PDF, 496 страниц, 14.88 МБ
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In a famous passage in A Room of One's Own, Virginia Woolf asked why women did not write poetry in the Elizabethan age. She went on to speculate about an imaginary Judith Shakespeare who might have been destined for a career as illustrious as that of her brother William, except that she had none of his chances. The truth is that many women wrote during the sixteenth and seventeenth centuries and this collection will serve to introduce modern readers to the full variety of women's writing in this period from poems, prose and fiction to prophecies, letters, tracts and philosophy. The collection begins with the poetry of Isabella Whitney, who worked in a gentlewoman's household in London in the late 1560s, and ends with Aphra Behn who was employed as a spy in Amsterdam by Charles II. Here are examples of the work of twelve women writers, allowing the reader to sample the diverse and lively output of all classes and opinions, from artistcrats such as Mary Wroth, Anne Clifford and Margaret Cavendish to women of obscure background caught up in the religious ferment of the mid seventeenth century like Hester Biddle, Pricscilla Cotton and Mary Cole. The collection includes three plays, and a generous selection of poetry, letters, diary, prose fiction, religious polemic, prohecy and scienticficic speculation, offering the reader the possibilility of tracing patterns through the works collected and some sense of historical shifts and changes. All the extracts are edited afresh from original sources and the anthology includes comprehensive notes, both explanatory and textual.
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1790
neptun
14 апреля 2009
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Joseph Andrews and Shamela
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Oxford University Press
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Автор: Fielding Henry
Издательство: Oxford University Press, 1999
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PDF, 454 страницы, 13.62 МБ
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I beg as soon as you get Fielding's Joseph Andrews, I fear in Ridicule of your Pamela and of Virtue in the Notion of Don Quixote's Manner, you would send it to me by the very first Coach. (George Cheyne in a letter to Samuel Richardson, February 1742) Both Joseph Andrews (1742) and Shamela (1741) were prompted by the success of Richardson's Pamela (1740), of which Shamela is a splendidly bawdy parody. But in Shamela Fielding also demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste. The same themes — together with a presentation of love as charity, as friendship, and in its sexual taste — are present in Joseph Andrews, Fielding's first novel. It is a work of considerable literary sophistication and satirical verve, but its appeal lies also in its spirit of comic affirmation, epitomized in the celebrated character of Parson Adams. This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive Wesleyan Edition of Fielding's works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from Conyers Middleton's Life of Cicero and the second edition of Richardson's Pamela (both closely parodied in Shamela). A new introduction by Thomas Keymer situates Fielding's works in their critical and historical contexts.
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1637
igor-ua
11 июня 2009
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Barchester Towers
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Oxford University Press
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Автор: Trollope Anthony
Издательство: Oxford University Press, 1998
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PDF, 658 страниц, 19.74 МБ
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Barchester Towers, Trollope's most popular novel, is the second of the six Chronicles of Barsetshire. The Chronicles follow the intrigues of ambition and love in the cathedral town of Barchester. Trollope was of course interested in the Church, that pillar of Victorian society — in its susceptibility to corruption, hypocrisy, and blinkered conservatism — but the Barsetshire novels are no more 'ecclesiastical' than his Palliser novels are political. It is the behaviour of the individuals within a power structure that interests him. In this novel Trollope continues the story of Mr Harding and his daughter Eleanor, adding to his cast of characters that oily symbol of progress Mr Slope, the hen-pecked Dr Proudie, and the amiable and breezy Stanhope family. The central questions of this moral comedy — Who will be warden? Who will be dean? Who will marry Eleanor? — are skilfully handled with that subtlety of ironic observation that has won Trollope such a wide and appreciative readership.
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2372
nika305523
22 марта 2009
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The Black Tulip
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Oxford University Press
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Автор: Dumas Alexandre
Издательство: Oxford University Press, 2000
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PDF, 288 страниц, 8.64 МБ
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Alexandre Dumas's novels are notable for their suspense and excitement, their foul deeds, hairsbreadth escapes, and glorious victories. In The Black Tulip, the shortest of Dumas's most famous tales, the real hero is no Musketeer, but a flower. The novel — a deceptively simple story — is set in Holland in 1672, and weaves the historical events surrounding the brutal murder of John de Witte and his brother Cornelius into a tale of romantic love. The novel is also a timeless political allegory in which Dumas, drawing on the violence and crimes of history, makes his case against tyranny and puts all his energies into creating a symbol of justice and tolerance: the fateful tulipa negra. This edition reprints the first, classic English translation. David Coward sets the novel in the context of its author's life, the turbulent history of the Dutch Republic, and the amazing tulipmania of the 17th century which brought wealth to some and ruin to many.
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1039
vitalysev
12 апреля 2009
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Spoils of Poynton
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Oxford University Press
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Автор: James Henry
Издательство: Oxford University Press, 2000
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PDF, 252 страницы, 7.56 МБ
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Mrs. Gareth, widowed chatelaine of Poynton, is fighting to keep her house with its priceless objets d'art from her son Owen and his lovely, utterly philistine fiancee. When she discovers that her young friend and sympathized Fleda Vetch is secretly in love with Owen, she thrusts her into the battle-line. The power struggle that ensues between the three women leaves Owen vacillating. What is at stake is not the mere possession of tables and chairs; it is, for Fleda, a conflict between aesthetic ideals, ethical imperatives, and her innermost feelings, in which she risks betraying, and being betrayed by, all that she holds most dear.
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909
driver
08 марта 2009
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Scenes of Clerical Life
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Oxford University Press
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Автор: Eliot George
Издательство: Oxford University Press, 2002
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PDF, 338 страниц, 10.14 МБ
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When Scenes of Clerical Life, George Eliot's first novel, was published anonymously in 1857, it was immediately recognized, in the words of Saturday Review, as the production of a peculiar and remarkable writer. The three stories that make up the Scenes, The Sad Fortunes of the Reverend Amos Barton, Mr Gilfil's Love Story, and Janet's Repentance, intriguingly foreshadow George Eliot's later work. The first readers, including Dickens and Thackeray, were struck by the humorous irony, the truthfulness of the presentation of the lives of ordinary people, and the compassionate acceptance of human weakness which characterize Eliot's writing.
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1221
wiktorpro
19 февраля 2009
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The Compleat Angler
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Oxford University Press
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Автор: Walton Izaak
Издательство: Oxford University Press, 2000
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PDF, 414 страниц, 12.42 МБ
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The greatest classic of angling literature and a unique celebration of the English countryside, Izaak Walton's IThe Compleat AnglerR was originally published in 1653 and first appeared with Charles Cotton's continuation in 1676. No book, apart from the Bible and the Book of Common Prayer, has been more often reprinted. As a treatise on the art of fishing it has never wholly been superseded. For its advice on the catching and cooking of fish, the rules for baits, and the making of artificial flies, it remains a valuable and engrossing guide. As a graceful and affectionate portrait of rural England its charm is irresistible and in Walton and Cotton we could not wish for more congenial companions. This illustrated edition, with an Introduction by the novelist John Buchan, has been expanded and revised by John Buxton.
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1494
michael87
15 октрября 2009
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Beast in Man
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Oxford University Press
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Автор: Zola Emile
Издательство: Oxford University Press, 1999
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DjVu, 424 страницы, 16.96 МБ
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Did possessing and killing amount to the same thing deep within the dark recesses of the human beast? La Bete humaine (1890), is one of Zola's most violent and explicit works. On one level a tale of murder, passion and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control. Zola considered this his 'most finely worked' novel, and in it he powerfully evokes life at the end of the Second Empire in France, where society seemed to be hurtling into the future like the new locomotives and railways it was building. While expressing the hope that human nature evolves through education and gradually frees itself of the burden of inherited evil, he is constantly reminding us that under the veneer of technological progress there remains, always, the beast within. This new translation captures Zola's fast-paced yet deliberately dispassionate style, while the introduction and detailed notes place the novel in its social, historical, and literary context.
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1529
vulcan
27 апреля 2009
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L'Assommoir
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Oxford University Press
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Автор: Zola Emile
Издательство: Oxford University Press, 1999
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PDF, 514 страниц, 15.42 МБ
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The seventh novel in the Rougon-Macquart cycle, L'Assommoir (1877) is the story of a woman's struggle for happiness in working-class Paris. It was a contemporary bestseller, outraged conservative critics, and launched a passionate debate about the legitimate scope of modern literature. At the centre of the novel stands Gervaise, who starts her own laundry and for a time makes a success of it. But her husband Coupeau squanders her earnings in the Assommoir, the local drinking shop, and gradually the pair sink into poverty and squalor. L'Assommoir is the most finely crafted of Zola's novels, and this new translation captures not only the brutality but also the pathos of its characters' lives. This book is a pwerful indictment of nineteenth-century social conditions, and the introduction examines its relation to politics and art as well as its explosive effect on the literary scene.
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1854
budanovpavel
17 октрября 2009
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Britannicus, Phaedra, Athaliah
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Oxford University Press
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Автор: Racine Jean
Издательство: Oxford University Press, 2001
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PDF, 236 страниц, 7.08 МБ
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Jean Racine (1639-99) remains to this day the greatest of French poetic dramatists. Britannicus (1669), the first play in this volume, takes its themes from Roman history: the setting is bloody and treacherous court of the Emperor Nero. Phaedra (1677) dramatizes the Greek myth of Phaedra's doomed love for her stepson Hippolytus. Athaliah (1691), Racine's last and perhaps finest play, draws on the Old Testament story of Athaliah, Queen of Judah and worshipper of Baal, who is threatened and finally forced to concede victory to Joash, a son of the house of David and survivor of Athaliah's massacres. Racine's tragedies portray characters wrestling with ambition, treachery, religion, and love. In this translation, specially commissioned for The World's Classics series, C.H. Sisson has captured admirably the lucidity of Racine's language, both analytic and passionate, and the rhythm of his four-part Alexandrine, a combination that previous translators have consistently failed to achieve.
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852
goa14
16 декабря 2009
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The Last Man
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Oxford University Press
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Автор: Mary Wollstonecraft Shelley
Издательство: Oxford University Press, 1998
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PDF, 508 страниц, 15.24 МБ
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The last man! I may well describe that solitary being's feelings, feeling myself as the last relic of a beloved race, my companions extinct before me. Mary Shelley, Journal (May 1824). Best remembered as the author of Frankenstein, Mary Shelley wrote The Last Man eight years later, on returning to England from Italy after her husband's death. It is the twenty-first century, and England is a republic governed by a ruling elite, one of whom, Adrian, Earl of Windsor, has introduced a Cumbrian boy to the circle. This outsider, Lionel Verney, narrates the story, a tale of complicated, tragic love, and of the gradual extermination of the human race by plague. The Last Man also functions as an intriguing roman a clef, for the saintly Adrian is a monument to Percy Bysshe Shelley, and his friend Lord Raymond is a portrait of Byron. The novel offers a vision of the future that expresses a reaction against Romanticism, as Shelley demonstrates the failure of the imagination and of art to redeem her doomed characters.
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1831
piterovich
28 марта 2009
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The Consolation of Philosophy
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Oxford University Press
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Автор: Anicius Manlius Severinus Boethius
Издательство: Oxford University Press, 2000
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PDF, 240 страниц, 7.20 МБ
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Boethius composed the De Consolatione Philosophiae in the 6th century AD whilst awaiting death under torture, condemned on a charge of treason which he protested was manifestly unjust. Though a convinced Christian, in detailing the true end of life which is the soul's knowledge of God, he consoled himself not with Christian precepts but with the tenets of Greek philosophy. This work dominated the intellectual world of the Middle Ages; writers as diverse as Thomas Aquinas, Jean de Meun, and Dante were inspired by it. In England it was rendered in to Old English by Alfred the Great, into Middle English by Geoffrey Chaucer, and later Queen Elizabeth I made her own translation. The circumstances of composition, the heroic demeanour of the author, and the Menippean texture of part prose, part verse have combined to exercise a fascination over students of philosophy and literature ever since.
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866
admin
21 июля 2009
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