Yale University Press
Piggy Foxy and the Sword of Revolution: Bolshevik Self-Portraits
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Yale University Press
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Автор: Alexander Vatlin Издательство: Yale University Press, 2008 |
PDF, 224 страницы, 6.72 МБ
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«What did the rulers of the Soviet Union truly think about each other? «Piggy Foxy and the Sword of Revolution» provides a window onto the soul of Bolshevism no other set of materials has ever offered. Sketching on notebook pages, official letterheads, and the margins of draft documents, prominent Soviet leaders in the 1920s and 1930s amused themselves and their colleagues with drawings of one another. Nearly 200 of these informal sketches, only recently uncovered in secret Soviet files are reproduced here. Funny, original, spontaneous, sometimes vicious or grotesque, the drawings and their accompanying notes reveal the relationships and mindsets of the Bolshevik bosses at the time of Stalin’s rise to power with blazing immediacy. The album’s editors select characteristic drawings by such prominent leaders as Nikolai Bukharin, who depicts himself as “piggy foxy”, Valery Mezhlauk, and Stalin himself, whose trademark blue pencil appears on several of the drawings. A number of sketches of unknown authorship are also included. The editors identify the political issues, events, and discussions that inspired the drawings, and they provide biographical information about the people who drew and were drawn. The book opens a rare window on Stalin’s inner circle, allowing us access to the powerful men who, despite living in a humorless epoch, developed a special humor of their own.»
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811
allkonekt
10 декабря 2010
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Pop Art is
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Yale University Press
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Автор: Mark Francis Издательство: Yale University Press, 2008 |
DjVu, 165 страниц, 6.60 МБ
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On January 26, 1957, Richard Hamilton wrote a now-famous letter outlining his definition of what “Pop Art Is.” This volume celebrates the fiftieth anniversary of Hamilton’s prophetic document, presenting the works of more than forty artists from his own generation of Pop artists (among them Hamilton himself, Robert Rauschenberg, Jasper Johns, and Andy Warhol) and from artists of subsequent generations who have contributed to the development and dissemination of Pop Art (Jeff Koons, Richard Prince, Mike Kelley, Damien Hirst, and others). A text by Greil Marcus, a photographic essay by Louise Lawler, and an interview with Robert Venturi and Denise Scott Brown by Dan Graham are included in the book, which illuminates the powerful, international impact of Pop Art throughout the second half of the 20th century. Pop represented a sudden and dramatic expansion of often-contradictory possibilities, and for this reason and others the concept of Pop remains vital in contemporary art.
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597
klim1
16 мая 2011
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Alphonse Mucha
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Yale University Press
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Автор: Victor Arwas Издательство: Yale University Press, 1998 |
PDF, 344 страницы, 10.32 МБ
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Alphonse Mucha (1860-1939) was one of the most important decorative artists working in Paris at the turn of the century. His distinctive and original posters and his decorative panels in le style Mucha became almost synonymous with French Art Nouveau. The admirer and iconographer of Sarah Bernhardt, he was also well known as the creator of familiar advertisements and as a book illustrator. Yet there was much more to Mucha's achievement than this. At the height of his career as a decorative artist, he became convinced that art should serve ideas, he became chief artistic and cultural adviser to the interwar Czech government, and he completed a major and controversial fresco cycle, the Slav Epic, as well as portraits and large symbolic paintings. This book — the first full-scale treatment of Mucha's oeuvre — includes discussions and reproductions of paintings, posters, panneaux decoratifs, pastels, drawings, and illustrations from throughout his career. In addition, the authors provide essays on Mucha's Paris years; his association with Sarah Bernhardt; the importance of American patronage on his later work; his graphic and painterly techniques; and the problems connected with the conservation of the large canvases. This lavishly illustrated book is the catalogue for an exhibition of Mucha's work that will tour the United States, beginning in San Diego in 1998.
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1240
alex1984
12 марта 2009
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Artistic Luxury
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Yale University Press
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Автор: Harrison Stephen Издательство: Yale University Press, 2009 |
PDF, 288 страниц, 8.64 МБ
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Faberge, Tiffany, Lalique — these great designers came together only once to display their goods in what was probably the most opulent exhibition ever mounted. At the 1900 Exposition Universelle in Paris, the three strove to position themselves ahead of their many competitors in the luxury market, each presenting his jewelry and home adornments as high art. Their success is explored in this splendidly illustrated catalogue, which elucidates the prewar pinnacle of European culture.The array of displayed objects was mesmerizing: Tiffany glass, Easter eggs to dazzle the Czars, realistic insects created in precious materials as sinister decorations. Many of these bore influences of the advanced art of the time, such as Art Nouveau, Viennese modernism, and symbolism, and of styles from around the world.Four essays discuss the works in the context of their times, illuminate the high societies served by the three masters, and trace the cultural trends behind their extraordinary creations. A treasure of accompanying photographs shows the individual exhibits, scenes from the World's Fair, and the glitterati who wore the jewelry.
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1044
vitalysev
14 сентября 2014
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Chagall and the Artists of the Russian Jewish Theater
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Yale University Press
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Автор: Susan Tumarkin Goodman Издательство: Yale University Press, 2009 |
PDF, 256 страниц, 7.68 МБ
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Shortly after the Bolshevik Revolution, Soviet Jewish theatres became catalysts for modernist experimentation. Working with avant-garde playwrights, actors and producers in a new political environment, artists such as Marc Chagall, Natan Altman, Robert Falk, and Aleksandr Tyshler combined Russian folk art with elements of Cubo-Futurism and Constructivism into a bold new style. This collaboration gave rise to extraordinary productions with highly original stage designs that redefined the concept of theatre itself. From the Jewish mythical and folkloric plays produced at Habima to the daring, expressionistic Yiddish dramas presented at the Moscow State Yiddish Theatre (GOSET), this beautifully illustrated book chronicles the flourishing of Soviet Jewish theatre in the 1920s and 1930s. Spanning such topics as Jewish culture and history in the Soviet Union, the volume includes stunning reproductions of Chagall's celebrated murals; fascinating archival materials such as posters, prints, and playbills; designs for costumes and sets; and many other breathtaking works.
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928
lawyer_78rus
26 мая 2012
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Painting History: Delaroche and Lady Jane Grey
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Yale University Press
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Автор: Stephen Bann Издательство: Yale University Press, 2010 |
PDF, 180 страниц, 5.40 МБ
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In the aftermath of the Revolution, the French public turned to British history as a way of making sense of its recent past, and no French artist of the 19th century was more inspired by English subjects than Paul Delaroche. His monumental work The Execution of Lady Jane Grey was one of the most familiar and enduring images of his time, and remains today among the most popular paintings in the National Gallery. This authoritative book presents The Execution with other major history paintings and preparatory sketches that made Delaroche's reputation during his lifetime. It is complemented by an essay by the distinguished Tudor historian John Guy, who outlines the short life of Lady Jane Grey, Queen of England for nine days, and the development of her enduring mythical status as an innocent martyr.
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652
admin
17 октрября 2013
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The Drawings of Bronzino
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Yale University Press
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Автор: Carmen C. Bambach Издательство: Yale University Press, 2010 |
PDF, 336 страниц, 10.08 МБ
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Drawings by the great Italian Mannerist painter and poet Agnolo Bronzino (1503-1572) are extremely rare. This important and beautiful publication brings together for the first time nearly all of the sixty drawings attributed to this leading draftsman of the 16th century. Each drawing is illustrated in colour, discussed in detail, and shown with many comparative photographs. Bronzino's technical virtuosity as a draftsman and his mastery of anatomy and perspective are vividly apparent in each stroke of the chalk, pen, or brush. The younger generations of Florentine artists particularly admired Bronzino for his technical virtuosity as a painter, and Giorgio Vasari praised him for his powers as a disegnatore (designer and draftsman).
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1218
phoenix7
16 мая 2013
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Paul Mellon's Legacy: A Passion for British Art
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Yale University Press
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Автор: Brian Allen Издательство: Yale University Press, 2007 |
PDF, 384 страницы, 11.52 МБ
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Paul Mellon (1906-1999) was an unparalleled collector of British art. His collection, now at Yale in the museum and study centre he founded to house it, rivals those in Britain's national museums and is unquestionably the most comprehensive representation of British art held outside of the United Kingdom. This book and the exhibition that it accompanies celebrate the centenary of his birth. Five introductory essays examine Paul Mellon's extraordinary collecting activity, as well as his role in creating both the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art in London as gifts to his alma mater (Yale 1929). A lavishly illustrated catalogue section showcases 150 of the most exquisite and important paintings, watercolours, drawings, prints, sculpture, rare books, and manuscript material in the Yale Center's collection, including major works by Thomas Gainsborough, Sir Joshua Reynolds, George Stubbs, John Constable, and J. W. M. Turner.
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1390
yury-m
14 марта 2010
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Louis Comfort Tiffany and Laurelton Hall: An Artist's Country Estate
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Yale University Press
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Автор: Alice Cooney Frelinghuysen Издательство: Yale University Press, 2006 |
PDF, 350 страниц, 10.50 МБ
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This beautiful book focuses on Laurelton Hall, Louis Comfort Tiffany's extraordinary country estate in Oyster Bay, Long Island, New York. Beginning in 1902, Tiffany (1848-1933) designed every aspect of the immense home, which had eighty-four rooms and eight levels, and extensive grounds into which the house was carefully integrated. Tiffany's residential masterpiece was also a quasi-museum, for he filled it with his own works — windows, glassware, pottery, enamels, lamps, oil paintings, and watercolours — as well as with objects from his collections of Islamic, Asian, and Native American art. Laurelton Hall burned down in 1957, but about ten years earlier most of its contents had been removed and sold. Every aspect of the estate is examined and re-created in this volume: its terraced gardens with fountains and pools; the many outbuildings; and Tiffany's life there. The interior decoration of Laurelton Hall, a particular focus of the book, is represented by both numerous period photographs and newly commissioned colour photography of surviving artworks and salvaged architectural components from the estate. For all who admire Tiffany and his work, this book presents a unique portrait of his remarkable home.
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1266
admin
21 июня 2008
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Isabel Toledo: Fashion from the Inside Out
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Yale University Press
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Автор: Valerie Steele Издательство: Yale University Press, 2009 |
PDF, 288 страниц, 8.64 МБ
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One of the most exciting fashion designers in the United States, Cuban-born Isabel Toledo has been honored with a National Design Award from the Cooper — Hewitt Museum and a Couture Council Award for Artistry of Fashion, given by The Museum at FIT. Yet her name and work are recognized only by fashion insiders. This ravishing book brings Toledo's creations to a wider audience, places them within the context of contemporary fashion, and examines her creative process. Interviewing Toledo, her husband (fashion illustrator Ruben Toledo), and other colleagues, clients, and critics, Valerie Steele gives an account of Toledo's career and explains that while she has been heralded by leading fashion magazines and featured in stores in New York and Europe, she has not had the long-term financial backing to break out of the niche market. Patricia Mears investigates the artistic and cultural influences on Toledo's work and analyzes her unusual methods of construction, noting that she designs in three dimensions in her mind and then begins working directly with fabric. Displaying garments Toledo has created since her first show in 1985, this book is a revelatory exploration of a fashion innovator in a mass-market industry.
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1044
vitalysev
14 сентября 2014
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Velazquez
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Yale University Press
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Автор: Dawson Carr Издательство: Yale University Press, 2008 |
PDF, 256 страниц, 7.68 МБ
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Diego Rodriguez de Silva y Velazquez (1599-1660) was born in Seville, Spain, the oldest of six children. He has come to be recognised as one of the very greatest painters, with an extraordinary ability to observe and record visual experience, whether rendering genre paintings, history scenes or portraits. Velazquez's career can be characterised as a lifelong examination of the relationship of painting to nature, in which brushwork takes a leading role. As he developed, he realised ever-greater physical and psychological naturalism with progressively more pronounced and elegant brushstrokes, attaining miraculous effects of illusion with an astounding, abbreviated technique based on the implication rather than the elaboration of detail. This book explores Velazquez's almost universal popularity. Accompanying a major exhibition at the National Gallery, London, it contextualises the artist's work and discusses his influence. Manet famously called him 'the painter's painter', and this book seeks to explain how, and why, his minimalist, elegant compositions resonate so strongly with our Post-Impressionist sensibilities. Written by world-class Velazquez scholars, the book surveys the artist's entire career, from his studies in Seville and Italy to his final great works at the court of Philip IV. It includes a full catalogue and chronology.
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927
lawyer_78rus
26 мая 2011
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High Style
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Yale University Press
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Автор: Jan Glier Reeder Издательство: Yale University Press, 2010 |
PDF, 276 страниц, 8.28 МБ
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This lavishly illustrated volume is the first comprehensive publication on the Brooklyn Museum of Art's internationally renowned historic costume collection. The nearly 25,000-object collection comprises fashionable women's and men's garments and accessories from the 18th through the 20th centuries. It features sumptuous 19th-century gowns from the House of Worth, exquisite works by the great 20th-century French couturiers, iconic Surrealist-based designs of Elsa Schiaparelli, sportswear classics from pioneer American designers, and the incomparable draped and tailored creations of Charles James. In 2009, the Brooklyn Museum and The Metropolitan Museum of Art entered into a groundbreaking long-term partnership to steward Brooklyn's collection. The objects were transferred to The Costume Institute at the Metropolitan, with Brooklyn maintaining curatorial access. Exhibitions of costumes from the collection will be held at both institutions in early May 2010.
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1001
waka-waka
16 февраля 2012
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Alexander McQueen: Savage Beauty
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Yale University Press
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Автор: Andrew Bolton Издательство: Yale University Press, 2011 |
PDF, 224 страницы, 6.72 МБ
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Alexander McQueen (1969-2010) was one of the most influential, imaginative and inspirational designers at the turn of the millennium. His fashions both challenged and expanded the conventional parameters of clothing beyond utility to a compelling expression of culture, politics and identity. Focusing on the most iconic and acclaimed designs of his prolific career, this stunning book examines McQueen's inimitable technical virtuosity and its subversion of traditional tailoring and dressmaking practices. This book also focuses on the highly sophisticated narrative structures found in McQueen's collections and in his astonishing and extravagant runway presentations, which suggested the most avant-garde installation and performance art. Intended as an assessment of Alexander McQueen's entire career, this book includes in-depth studies of six collections that illustrate and encapsulate thematic chapters as well as an interview with Sarah Burton, the new creative director of Alexander McQueen who had been the designer's right-hand design aide since 1996.
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812
allkonekt
11 октрября 2014
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100 Dresses: The Costume Institute
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Yale University Press
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Автор: Harold Koda Издательство: Yale University Press, 2010 |
PDF, 232 страницы, 6.96 МБ
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What woman can resist imagining herself in a beautiful designer dress? Here, for the first time ever, are 100 fabulous gowns from the permanent collection of the renowned Costume Institute at The Metropolitan Museum of Art, each of which is a reminder of the ways fashion reflects the broader culture that created it. Featuring designs by Paul Poiret, Coco Chanel, Madame Gres, Yves Saint Laurent, Gianni Versace, Vivienne Westwood, Alexander McQueen, and many others, this one-of-a-kind collection presents a stunning variety of garments. Ranging from the buttoned-up gowns of the late 17th century to the cutting-edge designs of the early 21st, the dresses provide a vivid picture of the sensibilities and excesses of each era while providing a vivid picture of how styles have changed — sometimes radically — over the years. A late 1600s wool dress with a surprising splash of silver thread; a large-bustled red satin dress from the 1800s; a short, shimmery 1920s dancing dress; a glamorous 1950s cocktail dress; and, a 1960s minidress — each tells a story about its period and serves as a testament to the enduring ingenuity of the fashion designer's art. Images of the dresses are accompanied by informative text and enhanced by close-up details as well as runway photos, fashion plates, works of art, and portraits of designers. A glossary of related terms is also included.
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841
valentina632
13 декабря 2012
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The Genius of Renoir: Paintings from the Clark
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Yale University Press
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Автор: John House Издательство: Yale University Press, 2011 |
PDF, 140 страниц, 4.20 МБ
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«With a consuming enthusiasm for the paintings of Pierre-Auguste Renoir (1841-1919), art collector Sterling Clark assembled one of the greatest private collections of Renoir's work during the first half of the twentieth century. Today the masterpieces he so admired form a vital part of the Impressionist holdings of the Sterling and Francine Clark Art Institute. «The Genius of Renoir: Paintings from the Clark» offers a fascinating, fresh look at the thirty-two Renoir paintings in the Clark collection, featuring beautiful digital colour reproductions created especially for this volume. This book brings to light new and often revelatory scholarship concerning the importance of each work both within Renoir's oeuvre and within the Clark collection. Among the richly varied paintings, encompassing portraits, landscapes, and still lifes, are such key works as «Marie-Therese Durand-Ruel Sewing», «A Box at the Theatre» (At the Concert), «Onions», and «Venice: the Doge's Palace». John House, a leading authority on Renoir, offers an in-depth analysis of each of the works in the collection, and curator-author James Ganz draws on extensive archival research on Sterling Clark's pursuits as an art collector and museum founder to illuminate this visionary and often enigmatic man.»
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508
admin
07 апреля 2015
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Johan Zoffany RA: Society Observed
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Yale University Press
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Автор: Martin Postle Издательство: Yale University Press, 2011 |
PDF, 320 страниц, 9.60 МБ
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The 18th-century painter Johan Zoffany (1733-1810) was an astute observer of the many social circles in which he functioned as an artist over the course of his long career. This catalogue investigates his sharp wit, shrewd political appraisal, and perceptive social commentary (including subtle allusions to illicit relationships) — all achieved while presenting his subjects as delightful and sophisticated members of polite society. A skilled networker, Zoffany established himself at the court of George III and Queen Charlotte soon after his arrival in England from his native Germany. At the same time, he befriended the leading actor David Garrick and through him became the foremost portrayer of Georgian theatre. His brilliant effects and deft style were well suited to theatricality of all sorts, enabling him to secure patronage in England and on the continent. Following a prolonged visit to Italy he travelled to India, where he quickly became a popular and established member within the circle of Warren Hastings, the governor-general. Zoffany's Indian paintings are among his most spectacular and allowed him to return to England enriched and warmly welcomed. This volume provides a sparkling overview of his finest works.
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1161
admin
19 февраля 2013
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Bye Bye Kitty!!!
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Yale University Press
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Автор: David Elliott Издательство: Yale University Press, 2011 |
PDF, 136 страниц, 4.08 МБ
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«In recent decades Japanese art has achieved immense popularity in the West while being little understood. Critics have focused on the superficiality and infantilism they find prevalent in much of the work, while many Westerners are familiar with the country's artistic side solely through manga and anime. «Bye Bye Kitty!!!» offers a more incisive and wide-ranging view of the contemporary Japanese art scene, depicted through the works of fifteen artists, ranging in age from twenty-seven to forty-five and working in painting, sculpture, installation, photography, and video. The book's title invokes the subtle irony and subversive techniques adopted by this new generation of artists in their rebellion against the kawaii, or 'cute', aesthetic of mainstream Japanese culture. An essay by David Elliott provides an overview of the artists and explores many of the societal questions, such as the role of feminism, the rise of the 'salaryman', and reflections on the bombings of Hiroshima and Nagasaki, featured in their works. A contribution by Tetsuya Ozaki illuminates the history and culture of Japan's current Heisei era, which began in January 1989 after the death of Emperor Hirohito. The artists featured in «Bye Bye Kitty!!!» demonstrate that they have the power not only to reconfigure international stereotypes about the current state of Japanese art but also to shape the very landscape of contemporary Japanese art itself.»
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493
kattymay
15 сентября 2016
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America and the Sea: Treasures from the Collections of Mystic Seaport
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Yale University Press
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Автор: Finamore Daniel Издательство: Yale University Press, 2006 |
PDF, 159 страниц, 4.77 МБ
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«The history of America is largely a history of the sea. This marvelous book features a selection of more than two hundred of the finest objects from Mystic Seaport that tell the history of America and its maritime heritage. Presented with accessible texts and beautiful reproductions are masterpieces of maritime painting, exquisite photographs of classic yachts and powerboat races, and diverse prints and watercolors. Unique examples of American folk art-yarn paintings, reverse paintings on glass, sailors' valentines, shadowbox ship models, and ships in bottles-are also explored in detail, along with watercraft, scrimshaw, ship figureheads, and silver yachting trophies. Essays written by distinguished experts describe the individual forms of expression, discuss the artists and craftsmen, and offer commentary on the ways in which America's maritime history is interwoven with its economic development and cultural history. Elegantly designed and lavishly produced, «America and the Sea «offers intriguing new evidence of the indisputable relevance of maritime history to American life and art.»
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575
altsib
24 июля 2009
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Coming of Age: American Art, 1850s to 1950s
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Yale University Press
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Автор: Agee William Издательство: Yale University Press, 2006 |
PDF, 136 страниц, 4.08 МБ
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From the 1850s to the 1950s, American art and culture progressed from provincial status to international prominence, and American art transitioned from figurative depictions of the particular to abstract interpretations of universal ideals. This beautiful book chronicles this complex century of maturation through a selection of paintings from the extraordinary collection of the Addison Gallery of American Art. Coming of Age begins with Albert Bierstadt, Frederic Church, and the Hudson River School landscapes that embody the new nationalism of mid-nineteenth-century America. Their successors, Luminists like Jasper Cropsey and Fitz H. Lane, infused their immediate surroundings with glowing light and crystalline clarity, while contemporary Barbizon-influenced tonalists, such as George Inness, sought to capture the American ethos through an emotional, atmospheric landscape language. In the later 19th century, Winslow Homer, Thomas Eakins, and Eastman Johnson depicted native subjects through the lens of realism. Childe Hassam and Maurice Prendergast brought Impressionist aesthetics to America, while expatriates including John Singer Sargent and James McNeil Whistler established themselves in European art capitals. In New York, turn-of-the-century Ashcan school painters captured the gritty cityscape that would later host champions of modernism Alfred Stieglitz, Man Ray, and Marsden Hartley. In the 1930s, European-trained artist Josef Albers introduced a generation of American painters to new theories of color and space from which emerged the breakthrough Abstract Expressionists. By the 1950s, American art had come of age, as Americans securely held the vanguard position in the international art world.
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492
kattymay
15 октрября 2009
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