Yale University Press
Thomas Lawrence: Regency Brilliance and Power
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Yale University Press
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Автор: Albinson Cassandra Издательство: Yale University Press, 2010 |
PDF, 280 страниц, 8.40 МБ
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Sir Thomas Lawrence (1769-1830) was the pre-eminent portraitist of the Regency period, depicting monarchs, political leaders, aristocratic families, society beauties and actresses with bravura flair. This important book explores Lawrence's political friendships and allegiances along with his exceptional role as witness to significant historical events and contrasts these with his remarkable ability to depict the charm and innocence of childhood. Elected President of the Royal Academy in 1820, Lawrence was instrumental in establishing the status of the artist in nineteenth-century Britain.
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1015
admin
14 июля 2011
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Roman Sculpture
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Yale University Press
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Автор: Kleiner Diana E.E. Издательство: Yale University Press, 1994 |
PDF, 490 страниц, 14.70 МБ
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Roman sculpture was an integral part of Roman life, and the Romans placed statues and reliefs in their flora, basilicas, temples and public baths as well as in their houses, villas, gardens and tombs. In this illustrated book, Diana Kleiner discuses all the major public and private monuments in Rome, as well as many less well-known monuments in the capital and elsewhere in the empire. She examines art commissioned by the imperial elite as well as by private patrons, including freedmen and slaves and also highlights monuments honouring women and children. Kleiner demonstrates that the sociala, ethnic and geographical diversity of Roman patronage led to an art that was eclectic and characterised by varying styles, often tied to the social status of the patron, but she also examines the interrelations between works produced for different kinds of patrons. Kleiner begins with a long thematic introduction that describes Rome and its empire, characterises patrons from the capital and the provinces, discusses the position of the artist in Roman society and the materials he used, and presents a history of the study of Roman art. The remaining chapters constitute a chronological examination of Roman sculpture from the foundation of Rome in 753 BC to the transfer of the capital to Constantinople in AD 330. In each period the monuments are divided by type, for example portraiture, state relief sculpture, the art of freedmen and provincial art. Throughout, Kleiner treats Roman Sculpture in its cultural, political and social contexts and, wherever possible, as an element of the architectural commplex in which it was set.
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1763
admin
20 декабря 2009
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Contemporary British Studio Ceramics
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Yale University Press
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Автор: Carlano Annie Издательство: Yale University Press, 2010 |
PDF, 176 страниц, 5.28 МБ
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In Britain today the output of excellent ceramics seems more eclectic than elsewhere. This stylish and wide-ranging survey comprises examples of clay art by one hundred major artists, covering the period from the late 1980s through 2009. Drawn from the Diane and Marc Grainer Collection, it includes works by Allison Britton, Edmund de Waal, Kate Malone, Grayson Perry, Julian Stair, Steve Dixon, and Nick Arroyave-Portela, among others. The selection balances functional objects and sculpture; hand-built, thrown, and moulded techniques; varieties of scale and colour; and cerebral and emotional content. All the ceramics here are rooted in the materiality of clay. The properties of the raw material, from its soft, malleable texture to the alchemy of slips and glazes, are at the core of the artists' passion. And, as the text reveals, the younger generation is moving into new directions of art practice. It is published in conjunction with the inaugural exhibition at the Mint Museum Uptown, Charlotte, NC.
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638
kubinec12
12 апреля 2014
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Architecture in France in the Eighteenth Century
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Yale University Press
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Автор: Wend Von Kalnein Издательство: Yale University Press, 1995 |
PDF, 320 страниц, 9.60 МБ
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French architecture of the 18th century — which exhibited great technical ability and refined taste — influenced architectural style throughout Europe. This book is a survey of the French architecture of the period. It begins with the origins of the style moderne under the last years of Louis XIV, discusses the end of Rococo and the return to antiquity, and concludes with the Revolutionary architecture and the house of Madame Recamier. Kalnein describes the development of palace and hotel architecture by the two great architects de Cotte and Boffrand, discussing such large urban projects as the reconstruction of Rennes and the Places Royales. He traces the return to antiquity (which began when the scholars of the Academic d'Architecture were sent to Rome), the revolutionary architecture with its grand, but never executed, projects, and the shift from neoclassicism to early romanticism. Kalnein also examines the decorative arts of the period, which became even more important than architecture in the Rococo period. Focusing on such architects as Boffrand, Gabriel, and Redoux, he shows how a study of their building decoration illuminates the evolution of style moderne, the battle between Rococo and Neoclassicism, and the dissemination of French styles throughout Europe.
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1152
admin
16 декабря 2009
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Peter the Great: A Biography
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Yale University Press
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Автор: Hughes Lindsey Издательство: Yale University Press, 2008 |
PDF, 324 страницы, 9.72 МБ
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Lindsey Hughes, author of the classic account of Russia during the reign of Peter the Great, here provides the definitive shorter biography of this dramatic, appealing and unconventional character. The book tells the story of Peter the Great (1672-1725) from birth to death in twelve chapters, including two final chapters on his legacy and posthumous reputation with the aim of providing a vivid sense of the dynamics of his life and reign. The focus is firmly on Peter himself: his actions, deliberations, decisions, relationships, tastes and possessions, and includes the more bizarre aspects of his character, such as his interest in dwarfs, the use of disguises, clowning and vandalism. The main sources are his letters and papers, both published and unpublished, as well as other contemporary accounts and letters. The narrative comprises both the public and private life, the life Peter lived as well as his significant fantasy world. Hughes offers fascinating new material on the 'alternative' or 'parallel' history of Peter's many disguises and pseudonyms, his deference to a number of mock superiors (Prince-Caesar, Prince-Pope, the mock Chief Surveyor), and his relationships with individuals such as his second wife Catherine and his favourite Alexander Menshikov. In each chapter she explores Peter's image in painting and sculpture, bringing the story to the present day with a discussion of controversial monuments in Moscow and St Petersburg.
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1173
artemon1986
24 сентября 2013
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Foxbats Over Dimona: The Soviets' Nuclear Gamble in the Six-Day War
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Yale University Press
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Автор: Ginor Isabella Издательство: Yale University Press, 2009 |
DjVu, 304 страницы, 12.16 МБ
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Isabella Ginor and Gideon Remez’s groundbreaking history of the Six-Day War in 1967 radically changes our understanding of that conflict, casting it as a crucial arena of Cold War intrigue that has shaped the Middle East to this day. The authors, award-winning Israeli journalists and historians, have investigated newly available documents and testimonies from the former Soviet Union, cross-checked them against Israeli and Western sources, and arrived at fresh and startling conclusions. Contrary to previous interpretations, Ginor and Remez’s book shows that the Six-Day War was the result of a joint Soviet-Arab gambit to provoke Israel into a preemptive attack. The authors reveal how the Soviets received a secret Israeli message indicating that Israel, despite its official ambiguity, was about to acquire nuclear weapons. Determined to destroy Israel’s nuclear program before it could produce an atomic bomb, the Soviets then began preparing for war--well before Moscow accused Israel of offensive intent, the overt trigger of the crisis. Ginor and Remez’s startling account details how the Soviet-Arab onslaught was to be unleashed once Israel had been drawn into action and was branded as the aggressor. The Soviets had submarine-based nuclear missiles poised for use against Israel in case it already possessed and tried to use an atomic device, and the USSR prepared and actually began a marine landing on Israel’s shores backed by strategic bombers and fighter squadrons. They sent their most advanced, still-secret aircraft, the MiG-25 Foxbat, on provocative sorties over Israel’s Dimona nuclear complex to prepare the planned attack on it, and to scare Israel into making the first strike. It was only the unpredicted devastation of Israel’s response that narrowly thwarted the Soviet design.
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1102
stalker1965
7 декабря 2011
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From Van Eyck to Bruegel: Early Netherlandish Painting in the Metropolitan Museum of Art
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Yale University Press
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Автор: Christiansen Keith Издательство: Yale University Press, 2000 |
PDF, 464 страницы, 13.92 МБ
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From about 1425, artists in the region which is now Belgium and The Netherlands created paintings which were startling in their realism and innovative approach. Published to accompany an exhibition at The Metropolitan Museum of Art, New York, this book celebrates one of the great epochs of western art, from the work of the inventor of oil painting, Jan van Eyck, to that of the highly original genius, Peter Bruegel. More than 100 colour reproductions, with individual commentaries, present the accomplishments of the major figures of the period, including Robert Campin, Rogier van der Weyden, Gerard David and Hans Memling. Essays by specialists in the field discuss various aspects of the subject, and biographies are provided for all the artists represented, together with comparative illustrations of prints and paintings from collections other than that of The Metropolitan.
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1674
biomg
24 сентября 2009
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John Brett, Pre-Raphaelite Landscape Painter
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Yale University Press
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Автор: Payne Christiana Издательство: Yale University Press, 2010 |
PDF, 256 страниц, 7.68 МБ
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«Drawing on a wealth of unpublished sketchbooks, journals and writings, this essential guide to John Brett (1831-1902) investigates the painter who was seen as the leader of the Pre-Raphaelite landscape school. As well as the familiar early works, including «The Val d'Aosta» and «The Stonebreaker», it provides rich information on his later, less-known coastal and marine paintings. Brett's turbulent friendship with John Ruskin is discussed, as are his relations with his beloved sister Rosa, and his partner Mary, with whom he had seven children. His fervent interest in astronomy, his love of the sea, and his lifelong pursuit of wealth and recognition are all examined in this reassessment, which concludes with a catalogue raisonne of his works, prepared by his descendent Charles Brett. It is published to coincide with an exhibition of John Brett's work at Birmingham, Barber Institute, 30 April — 4 July; London, Fine Art Society, 20 July — 7 August; and, Cambridge, Fitzwilliam Museum, 14 September — 28 November.»
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928
lawyer_78rus
27 апреля 2014
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Pierre Bonnard: The Late Still Lifes and Interiors
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Yale University Press
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Автор: Amory Dita Издательство: Yale University Press, 2010 |
PDF, 208 страниц, 6.24 МБ
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Working in his villa in the south of France, Pierre Bonnard (1867–1947) suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand—usually everyday domestic scenes—Bonnard rarely painted from life. Instead, he made pencil sketches in diaries and relied on these, along with his memory, as he executed the works in his studio. These interiors thus often conflate details from the artist’s daily life with fleeting, mysterious evocations of his past. The spectral figures who appear at the margins of the canvases, overshadowed by brilliantly colored baskets of fruit or other props, create an atmosphere of profound ambiguity and puzzling abstraction: the mundane rendered in a wholly new pictorial language. The 75 paintings, drawings, and watercolors in this volume, some rarely seen treasures from private collections, all made between 1923 and 1947, are central to the ongoing reappraisal of Bonnard as a leading figure of French modernism.
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754
anatoly_24
17 августа 2012
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Piero di Cosimo: Visions Beautiful and Strange
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Yale University Press
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Автор: Geronimus D. Издательство: Yale University Press, 2010 |
PDF, 366 страниц, 10.98 МБ
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Inverting rules with obvious relish, Florentine artist Piero di Cosimo (1462–1522) is known today—as he was in his own time—for his highly personal visual language, one capable of generating images of the most mesmerizing oddity. In this book, Dennis Geronimus overcomes the scarcity of information about the artist’s life and works—only one of the nearly sixty known works by Piero is actually signed and dated—and pieces together from extensive archival research the most complete and accurate account of Piero’s life and career ever written. Unfettered imagination was the sign under which Piero exercised his pictorial invention, and yet the complicated artist was also a product of his culture. The book fills gaps in the artist’s biography and provides intensive analysis of Piero’s protean imagery, discusses his various patrons and commissions, and lists his extant, lost, and uncertainly attributed works.
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1327
wertt
25 июня 2012
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Venice: Canaletto and His Rivals
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Yale University Press
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Автор: Beddington Charles Издательство: Yale University Press, 2010 |
PDF, 192 страницы, 5.76 МБ
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View painting in 18th-century Venice began with the emergence of Luca Carlevarijs and ended with the death of Francesco Guardi in 1793, followed by Napoleon’s invasion and the fall of the Venetian Republic in 1797. In between, a constellation of remarkable painters captured the city in dazzling pictures that are among the greatest achievements in 18th-century art. Canaletto may be the artist popularly associated with Venice, but he had many rivals who competed for commissions, often from foreigners whose patronage was to determine the later course of Venetian view painting. All the major figures are represented here—Bellotto, Carlevarijs, Guardi, Joli, Marieschi, and Vanvitelli—together with fascinating contemporaries such as Cimaroli and Tironi. Charles Beddington sets the scene with an overview of the artists then working in the city, and draws on the latest research and scholarship to illuminate the complex stylistic relationships between them. Succinct, lively biographies for each artist are followed by short introductions to the works, grouped chronologically by artist. Each painter saw the same topography with his own unique vision; this beautiful book demonstrates the varied responses to the cityscape, with its ever-changing light, as well as to its spectacles and ceremonies.
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696
zorkuzz
15 июня 2012
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The Art of Parmigianino
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Yale University Press
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Автор: Franklin David Издательство: Yale University Press, 2010 |
DjVu, 302 страницы, 12.08 МБ
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The sheer beauty of the work of sixteenth-century artist Parmigianino (1503-40) makes it easy to imagine that he discovered his style without any effort. But nothing so elegant as his drawings and paintings could have been achieved effortlessly. A close study of the artist's work, particularly his drawings, reveals the sources of his style and the creative struggles he endured. This lavishly illustrated book offers a comprehensive reassessment of Parmigianino's work as a draftsman, discussing in detail more than eighty of the artist's works on paper selected from collections around the world. Among Renaissance artists, Parmigianino was perhaps more conscious than any of the potential of the graphic arts to convey, and indeed broadcast, complex ideas. He explored this potential by means of his numerous drawings and through the etchings he produced on his own as well as through the engravings and chiaroscuro that were made after his designs. In these media, the artist's influence travelled farther and wider than it could have through his paintings alone. This book coincides with the quincentenary of the artist's birth in Parma and accompanies an exhibition at the National Gallery of Canada, Ottawa, from October 3, 2003 to January 4, 2004, and at the Frick Collection, New York, from January 27 to April 18, 2004.
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1095
volshebnih
15 августа 2012
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Византия от античности до Ренессанса (на английском языке)
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Yale University Press
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Автор: Mathews Thomas F. Издательство: Yale University Press, 2011 |
PDF, 176 страниц, 5.28 МБ
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With images culled from eleven hundred years of history, this comprehensive survey explores the Byzantine empire's vast range of artistic splendors that indelibly informed the art of modern Europe. Renowned scholar Thomas Mathews emphasizes that the Byzantines' interest in humanism and painting the human figure became the essential bridge between classical and renaissance Europe. Starting with a brief history of Byzantium as a basis for understanding Byzantine theology and art, he places the empire's artistic development within a broad cultural and historical context. Featuring more than one hundred color plates of mosaics, metalwork, architecture, frescoes and religious artifacts, as well as maps, diagrams, and a timeline, this definitive work provides a complete yet succinct introduction to the full range of Byzantine art and iconography.
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638
kubinec12
12 апреля 2015
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Picasso and Braque
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Yale University Press
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Автор: Kahng Eik Издательство: Yale University Press, 2011 |
PDF, 128 страниц, 3.84 МБ
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Picasso and Braque offers an intimate look at one of the most pivotal exchanges in the history of Western art: the culminating two years (1910-12) of Analytic Cubism. While the Cubist experiment has long been a requisite chapter in the history of modernism, this is the first publication to delve deeply into these two intense years of productivity, revealing the intriguing pictorial game being played out between these two great masters. Essays by prominent curators and historians offer sustained readings of paintings, drawings, and prints in terms of their engagement with issues of genre, format, medium, and artistic process. In addition, the new technology of spectral imaging provides reproductions of astounding color and textural fidelity, making this an essential publication for those seeking to understand better the complexity of Picasso's and Braque's mark-making, which typically evades conventional photography.
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464
liego55
21 августа 2013
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Roberto Capucci: Art into Fashion
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Yale University Press
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Автор: Blum Dilys E. Издательство: Yale University Press, 2011 |
PDF, 220 страниц, 6.60 МБ
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Italian couturier Roberto Capucci (born 1930) is revered by contemporary fashion designers for his innovative silhouettes and masterful use of colour and materials. Capucci refers to his creations as 'studies in form', and draws inspiration from a multitude of sources, including art, architecture and nature. This beautifully illustrated book, the companion to the first exhibition of Capucci's work in the United States, examines his career from the 1950s to the present in the context of the rise of Italian fashion. Capucci's designs first captured the attention of the international press in 1951, when he presented his collection in Florence. Considered one of Italy's greatest talents, he experimented with construction techniques and unconventional materials such as raffia, wire, and stones. He refused to compromise his artistic vision to commercial concerns, and after withdrawing from the formal fashion world in the early 1980s, he presented one collection a year, each in a different city around the world. Featuring more than 80 extraordinary works, including the iconic 'dress sculptures' with their inventive use of pleating, colour and form, Roberto Capucci is a captivating look at this brilliant designer who transcends the conventional line between fashion and art.
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798
admin
16 апреля 2015
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Catherine the Great
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Yale University Press
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Автор: Madariaga Isabel Издательство: Yale University Press, 2008 |
PDF, 256 страниц, 7.68 МБ
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Ivan IV, 'the Terrible' (1533-1584) is one of the key figures in Russian history, yet he has remained among the most neglected. Notorious for pioneering a policy of unrestrained terror — and for killing his own son — he has been credited with establishing autocracy in Russia. This is the first attempt to write a biography of Ivan from birth to death, to study his policies, his marriages, his atrocities, his disordered personality, and to link them as a coherent whole. Isable de Madariaga situates Ivan within the background of Russian political developments in the sixteenth century. And, with revealing comparisons with English, Spanish and other European courts, she sets him within the international context of his time. The biography includes a new account of the role of astrology and magic at Ivan's court, and provides fresh insights into his foreign policy. Facing up to problems of authenticity (much of Ivan's archive was destroyed by fire in 1626) and controversies which have paralysed western scholarship, de Madariaga seeks to present Russia as viewed from the Kremlin rather than from abroad and comprehend the full tragedy of Ivan's reign.
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927
lawyer_78rus
26 мая 2011
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Red Sky at Morning
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Yale University Press
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Автор: Speth James Gustave Издательство: Yale University Press, 2008 |
DjVu, 352 страницы, 14.08 МБ
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In this powerful book, a renowned environmental leader warns that despite all the international negotiations of the past two decades, efforts to protect Earth's environment are not succeeding. He explains why this is so and presents eight specific steps that governments and citizens can take to achieve a sustainable future. For this new paperback edition the author has added an Afterword that brings the narrative up to date. Gus Speth brought global environmental concerns to the world's attention nearly a quarter of a century ago. His extraordinary new book is an impassioned plea to take these issues seriously before it is too late. We owe it to our children and grandchildren to read Red Sky at Morning and take action while we can. Jimmy Carter, former President of the United States The ultimate insider offers a devastating critique of global environmental efforts. Eugene Linden, Time A profoundly sobering study of the nation's failure to address the probability of global warming. New York Times Book Review Balanced and pragmatic. Economist A particularly useful summary... Careful and judicious. Bill McKibben, New York Review of Books.
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1275
anarho
24 августа 2010
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The Unicorn Tapestries at the Metropolitan Museum of Art
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Yale University Press
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Автор: Cavallo Adolfo Salvatore Издательство: Yale University Press, 2008 |
PDF, 128 страниц, 3.84 МБ
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The unicorn tapestries are one of the most popular attractions at The Cloisters, the medieval branch of The Metropolitan Museum of Art. Traditionally known as The Hunt of the Unicorn, this set of seven exquisite and enigmatic tapestries was likely completed between 1495 and 1505. The imaginatively conceived scenes, displaying individualized faces of the hunters and naturalistically depicting the flora and fauna of the landscape, are beautifully captured in silk, wool, and metal yarns. Written by one of the world's leading authorities on medieval textiles and illustrated with many lovely colour reproductions, The Unicorn Tapestries traces the origins of the tapestries as well as possible interpretations of their symbolic meaning. This is an essential book for any lover of medieval art and textiles.
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463
liego55
21 августа 2010
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The Glory of Venice: Art in the Eighteenth Century
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Yale University Press
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Автор: Robison Andrew Издательство: Yale University Press, 2008 |
DOC, 528 страниц, 1.00 МБ
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Venice, home of Tiepolo, Canaletto, Piranesi, Piazzetta, and Guardi, was the city of eighteenth-century Italy most conducive to the creation of art. This lavishly illustrated book examines the whole range of the arts in Venice during this period, including paintings, pastels and gouaches, drawings and watercolors, prints, illustrated books, and sculpture.
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1913
carabin
10 декабря 2010
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